Jon Waltz

i'm on my waaay down 
i'm on my way down2u 
made a wrong turn 
i got lost for a minute back that way

0x0677691a4270cf3e81d0b36f596ccac90c570914f5e98549b16d7f9a3257b3a5

SLIIIDE

"If summer's ending soon..." (2018) 

The Story Behind "Backstreets": 
So this one kinda came out of nowhere.... We made this in August 2018', it dropped in September and ended up being one of my biggest records to date. I had a car (rip 2013 chevy sonic, u did me well) that was soooooo tinted that I stopped driving on highways and stopped doing night drives. I would drive around Memphis on backroads w/my faithful doggo, Niko and my wonderful gf Jules. Backstreets was randomly (I say randomly because I still have a hard time believing it to this day) the most viral song in America on Spotify for a weekend and was my first record to get on NMF (New Music Friday). It was a really proud moment for me because it helped cement the fact that I could make good pop music that was left of center and that resonated with people. It's a record that got me brought into a lot of conversations that I otherwise wouldn't have been a part of and i'm forever grateful for that.

I'm minting this at 1.09 eth because everything i've minted this year is a reference to Memphis, TN (901 area code, three 6 mafia, etc...) because i'm a firm believer of bringing culture on chain and introducing people to ideas and things that maybe they wouldn't have previously exposed themselves to before. 

Is music still valuable in this market in web3? Let's talk about it. Music NFT prices are at an all time low along with the sentiment, and surely only heading towards that direction even more. Are we as artists supposed to undervalue our work and wait for "a better market"? 

 I still choose to believe that music is valuable, because I know it is. Music is powerful, it helps us navigate through feelings that are hard to put into words. It tells stories. It introduces us to different walks of life and cultures across the country and across the world. It helps us make sense of LIFE, it brings us together. It's wiggly air for our bodies to move to. Can we stop pretending like it isn't valuable because of market conditions? Truth be told, I know this record either won't sell or will take a long time to sell, but i've minted all of my catalog because I believe it's valuable and there's meaningful stories and culture behind them. Now that we've lost the majority of speculators, is there room for music lovers who want to support culture over speculative upside?

0x41016c55f068745fbe415e35854e96fadf49a8990f141ca6cb8eb58f1039bb29

Backstreets

(2019) 
First single from my project 4 years ago... Fun fact, i've never performed this record live

0x3c57139ad8eb017ead28d4d03a4c0239c612238e2869326ee09552eb510f9fbd

COMET

from the vault (2018-ish) 

.36 reserve for three six mafia 

hell, maybe i'll ship you some of my fav bbq sauce from Memphis for the winner

0x6b3fd70c68541e9bf39f11ea9bd6da3714920b4f2ca112ff283062f5b19829e5

KARMA

I just keep it moving like forces, 
all white forces 
all white (white) white (white) white (white)

0x990cb31013e4b09dafd8368f284a8695544b1c2c25233890dc9bb84411d9a02f

CHROME

0x9b733b6827bf523d68394e2720f1d997af05c0b838e0e025f9c5895d43ef42c6

IDOLS

0xc41651ee54c3ce8c771e7fe7dc17a8fe1ae31b17b31676df5a1e3375deaf055f

ASICS (demo)

Written by Jon Waltz 
Produced by 4KM, Calvin Lauber, & Ren Haze 

MY GOLDEN HORSE

0x1eced841b45818048be016bde123dfb85b4a35eb76e2265c326b25904c3207b9

WHEELIE

Written by Jon Waltz & Healy
Produced by Healy
Addtl Prod. by 4KM

0xe52161f2a156df4cc2b92397c044a0950513fa8be8c43040649686e4f9d9420f

OVERDRIVE

Written by Jon Waltz 
Produced by Willem Ardui
Addtl Prod. by 4KM, Merci Ariya
Addtl Vox. by Mulherin, CD Rose, onlyboy


MY GOLDEN HORSE

0xe001dbf5ecd30c2aa9ad72c04d21250957f6cd92422dd49fda8fd14f071b3c84

DWN4

Written by Jon Waltz & Verzache
Produced by Willem Ardui & 4KM

MY GOLDEN HORSE

0x4fe6c02388a36b95c240098d56bc673ac0a22426c977221e4e2c9c134a5e9543

TRAINWRECK FT. VERZACHE

0xdde5b4146dd58e3daf35ae0708e2fd5e17dade30a85f2ae71951b8a565aa4beb

RIOT

MONOCHROME (2019)


a song about peer pressure.

0x4bd6f922998917eefb142f63e5caf5b9f33ca0d3c59068e0cccd1774e271e188

BLOCSTAR

0xb27a4a05ce170c656dcf13c122f32f13c901b141f57c33e9f96e89df25676933

SPORTSCAR

0x4eff4244033c1fd0340a1b9639ce14120625c4deebcdbe657a8a4f2eebaab13f

LUNA

(2019) 

I wanna say we made this in LA in 2018 but... not sure. 

What I am sure of is the fact that this song and the album that accompanied it was made at the crossroads for me. There were a lot of decisions I needed to make and whether I was going to do the work and really go for a career in music was one of them. 

"Payday" was made with no patience and with the last ounce of my faith. 

"Payday" was me coming to terms with the music industry and the dissonant feeling I felt towards it. 

"Payday" was me coming to the realization that this shit was gonna have to be me and my people busting our asses in order to be seen, heard, felt, and regardless of the outcome, nobody was gonna feel sorry or come to the rescue and it was up to us to figure it out... And in a strange way, it felt kind've empowering to know that.

0x5a8f4bf045940664f6233b458d885953e338e5cd51caa1733a05fbc47a74c1e8

PAYDAY

Lord lord… what do I say about this one? 

This song is the reason I picked a career in the music industry. I made this when I was in high school and was debating on whether I wanted to keep trying music or just stop completely. I uploaded this on SoundCloud after class one day and noticed the numbers rising. I sent this song to pigeons and planes (2013 blog era shit if you were there it was fucking legendary) and once it got posted, my life essentially changed overnight. I had never left my city to perform before this song came out, had never talked to an a&r or record label, and was put into a lot of rooms that the younger me just would’ve never imagined being in. This song gave me the confidence to become an artist and grow into who I wanted to be. I wrote this song in 30-60 minutes, never imagined it changing my life in the ways it did. "Bang" is a song about having no way out, making the wrong decisions in life and what that impact looks like on the world around you, or what the impact of your surroundings make on you.

0x352d581159bbccc54094ee2a66c18bc49e3cea4425c413149bbc7be9cac5064e

Bang (Remastered)

Made this in a tumultuous time in life, I personally felt like a lot of people were coming and going in my life and that i had no control over the way things were. i made this to contextualize how I feel and something to remind me that i'mma always be good no matter what. I decided I was gonna throw this up once we hit a million streams...and now here we are.

0xf1b128ab5b356802bdebe1ef57b2674c7992b5610c17df9e7ecdc8eb05938c97

SAFE

(2020)
 
One of the songs meant to originally be on my EP My Golden Horse

this song reminds me of long exposure on light beams

0x96dcbc51d727c82f1b8c21cc65a603a1323c56820ebdbdd6e5cd065b56624975

8BALL

runnin circles and circles... (2020)
and circles 
◯◯◯,
◯◯,
◯

0xdfaa9b65091a621e97aea3cb1098b9fc232b69514eef5fb5fc1634f08e7d1409

TREADMILLS

SOUNDCLOUD CLASSIC

MY 2016 DROP "JUSTIFIED" IS NOW ON CATALOG.

0x5bdeceef750eb39f43a47e8cc25e3e64b4fb925de69a48ac52a3980b7711ec86

JUSTIFIED

written by JON WALTZ
prod. by ERIC LYNCH + COLIN MORIARTY 
backgrounds by ZAYD
artwork by @SLATE49

0xe863b92b06fd0a7a9196bc35743143c0c8207694e5f3f575476c4cf7ad398926

BLACK GOLD

- Made in a rush.

A 1 minute reminder to not always be in a rush. 

Take your time. 


Artwork by @Slate49 

Winner will receive access to the .wav file + jpeg and a lyric sheet.

0x5c859c881aec08455f1d58171dfe1dcd5a12878ea97ae9189c2c71a1f852c6a7

TIME

This record is about the infamous low speed chase in June 94' with OJ Simpson. It plays with the idea about how minorities with a level of notoriety + fame are treated differently than those without. 

With this song you will receive:

Access to the .jpeg cover art file by @Slate49 
+
the .wav file to BRONCO